Hudlicky’s “alarming” statement was that there must be “an unconditional submission of the apprentice to his/her master.” He observed that many students today resist assigned work they consider too demanding, and the university “protects them from any undue hardships that may be demanded by the ‘masters.’ ” It was repeated use of the highly politicized word “masters” — for some time now a shibboleth for racism and white privilege amongst progressives — that triggered the alarm. (A friend informs me his company no longer allows the phrase “master files” for exactly that reason.)
Hudlicky should not be blamed for using the word “master” in one of its correct, neutral applications, having nothing whatsoever to do with race relations. Far from “objectionable,” Hudlicky raises a rational and pertinent question about knowledge transference in his own discipline that can be applied to a myriad other professions, crafts and activities.
Hudlicky’s allusion to “masters and apprentices” was a nod to Hungarian-British polymath Michael Polanyi’s theory of “tacit knowledge.” “We can know more than we can tell,” Polanyi wrote. He meant that optimal knowledge transference involves more than formal instruction. Personal interaction and trust is necessary between passionate masters of knowledge and those who wish to acquire it. It’s mentorship, but of a deeply immersive nature.
Anyone who has read memoirs of the world’s great chefs easily understands Polanyi’s insight. The world of haute cuisine happens to be a particularly brutal version of the master-apprentice paradigm, with more than a touch of apparent sadism involved in forcing the apprentice to learn almost entirely tacitly: through punitive trial and error, and slavish imitation over long stretches of time.